from Los Angeles Times
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The problem of preserving new-media and contemporary is not a new issue. However, what may be a turning point (for the better, I think) is the increasing profile given to this area of art conservation. This is due, in no small part, to a convergence of the interests of collectors and museums, who have both the clout and wealth to ensure that attention is paid to the long-term (physical, as well as economic) well-being of their collections. This may not be a bad thing in itself.