from New York Times
Is Sculpture Too Free for Its Own Good?
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Although a highly selective and brief overview (using examples of sculptures currently on show in New York City), the article manages to bring across the highly diverse range of materials and artistic concepts that shape sculptures in the twentieth and, without doubt, in the twentieth-first century. (There is also an audio visual presentation accessible via the article's side-bar.) However, what is left very much unsaid is the increasingly complexity of materials and artistic concepts that present-day sculpture conservators have to contend and engage with effectively in order to see to the preservation of these artworks.