Looks Brilliant on Paper. But Who, Exactly, Is Going to Make It?
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As artists use fabricators more and more for highly complex work, both in terms of structure and material composition, it begs the question:
"But if artists no longer possess the technical skills to produce their own work, who does?"And more importantly in the context of preservation, could we trust artists' accounts about the nature and material processes of their works. Maybe it is high time that art conservators pay more attention to the swarm of assistants that prop up the reputation of artists.